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These are questions that are frequently asked by visitors to the studio. If you have any
additional ones, please send them along, and we'll add them to this FAQ.
How hot is it?
The furnace is usually set to 2125 F, although we boost it to
2400 F when melting new glass. The gloryholes are typically run
around 2200 F. The glass is workable above 1300 F, of course the
hotter it is, the more easily it can be worked. At 2125 F, its about
the consistency of honey, maybe a bit more viscous.
How long does it take to cool?
Usually overnight, the glass needs to be cooled gradually, otherwise
stresses and cracks will develop. The thicker the work, the longer the
glass needs to cool. This process is called 'annealing'. Venetian style
goblets need only about 8 hours to cool down, thicker tumblers require longer
and paperweights and other solid work can take considerably longer. We've set
up a program for our annealers that accomodates the majority of work made at the
shop. 900 F for 2 hours, then 5 hours to ramp to 700, then the oven is allowed
to cool off at its own rate. With this program, we can take work out the afternoon
after the work is completed.
Where do you get the color?
We only melt clear glass in the furnace. We buy colored glass
and melt it into the piece to add color. The colored glass is
available in every color you can think of, and in many different
sizes for different types of applications. The color comes in bars,
powders and different sized pebbles (frits). It gets its color from
metal oxides that are added to the glass when it is made, different
metals in different proportions yield different colors. For this reason,
there is also a huge difference in the cost of different colors. Pinks
and purples are made from gold oxide and are more expensive than most of
the others.
Where do you get the glass?
We buy our glass from Spruce Pine, North Carolina. It comes in
50 lb bags delivered 2000 lbs at a time about once every month and
a half. The glass we get is called 'batch' and is a clumpy white
powder, composed of the various chemicals that make up the glass.
Alternatively, some studios use 'cullet' which is already melted
into glass, and then remelted before it can be used.
Do you ever get burned?
Yes, all the time. We keep an aloe plant in the shop for this
very reason. Most of the burns are from radiant heat; often time
we are concentrating so hard on making the piece that we don't even
notice that we are getting a burn until after we are done working.
This is more of a problem with larger scale work, and we structure
our classes to avoid burns as much as possible. Most serious burns
can be prevented by following the safety rules of the studio.
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